Pics, galleries, a uki church

I finally had the chance to get out to the Williamsburg galleries this past Friday. I felt like an art geek walking around with a camera and a gallery guide tucked under my arm, and a pen behind my ear to check off which galleries I'd been to.

It was a beautiful day that day, probably the last nice day of the season. I'm going to gather my pictures and my thoughts here, because I have to create something more cohesive about the galleries for WSN.




This is the delightfully insane work of Bill Lohre at Fleetwing Gallery, my favorite.
I asked the gallery owner if the artist took his own photographs to compile these 3D collages, but he wasn't sure. I'm assuming he cut things out from magazines, seeing as there were images of Dick Cheney and Miley Cyrus.

The exhibition is up til January 3rd, I highly recommend going to see this in person.
111 Grand St., Brooklyn










On my way back I walked past Holy Ghost Ukrainian Catholic Church on N 5th between Bedford and Driggs (FYI.)
They have Sluzhba Bozha there, "nedilya 10:00 PAHO."




A tryzub in the parking lot.



This is the exterior of Gitana Rosa, a homey little gallery tucked away on a residential street. Inside, it exudes a sense of warmth, its walls covered in yellow flowery wallpaper and Belle & Sebastian playing softly from a boombox. Definitely not a Chelsea gallery.



An abandoned building on Roebling, covered in Cake pieces!


















These paintings were in Pierogi gallery (best name for a gallery...ever).






A wheatpaste piece I saw that reminded me of Elbowtoe's work, although I'm not sure whose it is.








Front Room gallery wasn't open when I came by, but I'm digging the exterior.






Some street art that was pretty cool.

Capote

Writing stopped being fun when I discovered the difference between good writing and bad and, even more terrifying, the difference between it and true art. And after that, the whip came down.

Will get a scanner soon - sorry for poor image quality

14 November

The old man with the pipe jutting out of his mouth sat in his wheelchair like king of the world. He was a large man with short legs. In each hand he held a cane, and rolled down the sidewalk in his wheelchair as though he were rowing a boat.

He rowed, rowed straight down Avenue B every afternoon. The guys at the corner deli were hosing down the sidewalk in front of their flowers as the old man came rumbling through, they laughed at him and shouted at him in Spanish. The old man grunted something back in French.

They knew him well. He lived in Alphabet City and rowed down Avenue B all the time, sometimes three or four times a day, up and down. Sometimes he would stop to repack his pipe and then he would keep rolling, his enormous glasses glimmering in the sunlight, looking like a walrus, bloated, content, uninhibited.

He stopped by at a Polish diner every morning, ordered the same thing, bacon and eggs, and ginger ale. The old man didn’t drink coffee. The waitresses all knew him. He’d shout out in his raspy voice and yell, “Olga! Where’s Olga?”

Olga was a middle-aged waitress there, and thought his voice sounded like an older version of Tom Waits’—as though it had been drenched in a vat of bourbon, hung up to dry in an old warehouse, then thrown into the middle of a street, run over several times, and spoiled in the sun. He smelled like it, too.

“You ever gonna bring me my ginger ale?” he yelled.

As Olga came over with his ginger ale and placed his canes in the corner, she noticed he had missed several patches in his morning shave.

“Where has your daughter been?” Olga demanded.

“I heard she has a wooden leg!” he shouted hoarsely, then laughed, deep and gurgling in the back of his throat.

“You didn’t shave all the way today,” Olga said. “Where has your daughter been?”

“We gotta find out where the money is,” the old man rasped. “Olga! play my theme song.” He was referring to the jukebox, in which he asked her to take his quarter and play “Trampled Rose.”

“What about your son?” Olga went on.

“Well John John, he’s long gone. He gone to Indiana and never come home.”

“What about your daughter?”

“Just get me to New Orleans where I can play my accordion forever Olga! I’ll take you with me.”

“I’ll be back with your bacon and eggs,” she sighed.

She went back to the kitchen to put in the order, stopped in front of a mirror above a little hand sink in the back, checked her graying red hair pulled back in a messy ponytail, her rusty old hoop earrings from 20 years ago, her drawn-in eyebrows. Today the bags under her eyes looked more prominent than ever, her apron string felt a little tighter, and her nail polish was beginning to crack.

But the old man hadn’t shaved properly today, and this worried her. For ten years he’d been coming to the diner every morning, ordered bacon and eggs and ginger ale, yelled at her to bring his “chow”, and even though he was always alone, and always in his wheelchair, he had never missed a shave. He had always taken care to pack his pipe, he had always made sure he had shaved and combed back his thin gray hair to the back of his head, he had always asked her to pat his cheek and see how clean his shave was. Checking the old man’s clean shave had been her morning staple, a part of her routine after her coffee and cigarette, after leaning on the empty counter at 7am and asking the cashier, “What’s the news?”

When she came back out with his food, the old man was waiting with a napkin tucked into his shirt. He shouted at her to get him more ginger ale.

She grabbed his empty cup. She said, “What happened to your clean shave this morning?”

He waved his heavy finger-nail-gritty hands. “Let me eat!”

She repeated her question more sternly: “Has your daughter been in town …?”

The old man was crouched over the table, eating, bits of scrambled egg tumbling down his chin and onto the napkin on his shirt.

A waitress said in the kitchen, “It’s been eight years exactly since his wife died.”

“So that’s it,” Olga said.

“Oh yeah. Eight years today. Oh, he kept her on his arm like jewelry when she was younger. He kept her on a leash. And now she’s dead, forever dead. See if he can trample over her now.”

Olga watched the old man. “What happened to his daughter? To his son?”

“He tortured ‘em all for years, taking care of him. He tortured ‘em all through hell and back. They got up and left him, finally. Serves him right.”

Olga came back and brought him his ginger ale. He had finished eating. He paid with a five-dollar bill, then gruffly waved Olga out of the way with his big hands, reached for his canes, and turned to row out of the diner. He didn’t turn around when he shouted in the doorway, facing the wind at the street in front of him, the sea of people he was about to launch into, “Olga, make sure they play my theme song and … Send me off to bed forevermore!”

8 November

6-7 November

5 November

Due to the enormous ink-spilling incident on my desk moments ago, my drawing project has been prematurely terminated tonight.

Here's what I's gots for tonight. I started out with very light 2H pencil because I really wanted to use my new white smudgy-thingy. I started going over it ink, and I was going to add a lot more, and then I knocked over my ink and watched it pool all over my desk and spill over the edge, splattering over my feet and the floor.

It was pretty fun, except for the part when I realized that I paid 8 fucking dollars for that bottle of ink.




It's Digital Underground. I was listening to the Humpty Dance (1990) when I looked up a picture of him. He's crazy.

At least it's something.

AND AT LEAST THE INK DIDN'T TOUCH MY GIANT BAG OF PIXIE STIX


tubes of artificially-colored sugar keep me going, apparently.




Special thanks to Sondra, Fahima and Sogyel for helpin' out with Fantastik & papeh towels; now my fingernails are stained black and I look totally hXxardcXxore goth.

4 November

I'm so sorry guys. I really wish these could be good. But I don't have a lot of time to make them look really, really nice. It's going to take a lot of practice to get my sketchbook status up to that of James Jean:

http://www.jamesjean.com/

Please look at his sketchbooks. They are amazing.

Since I'm not working, I'll do a masterpiece this weekend, I promise.

3 November

This one is still in progress, my apologies, I was at Morandi all evening and now it's 3am and I have an 8am tomorrow. It has been a strange day.

But I did another quick sketch to supplement the unfinished one so I don't look like too much of an ass...



I don't want to post the piece of writing I did for today. my angry little cityscape ought to suffice.

2 November

This is one of my favorites of Yonadav, in front of the opera.
didn't finish this one in time. It's 1:40am and I should probably do some reading before hitting the sack... But after spending at least a good hour and 15 on this, I realized how NOT good I am.

At least his right eye was an improvement on his left eye in terms of ink technique... ish.

1 November

Please click on these to enlarge and de-blurrify somewhat.





He swung the plastic falafel bag back and forth on 4th Ave, it was his duty, as a scrawny kid who worked at Utrecht, to deliver his manager food and coffee daily. The first few months, he had grovelled to no end. But now, he was hungry, Utrecht was overpriced, he had never been good at art anyway, and these tight pants were really hurting his crotch. He realized all of these things, in one momentous blow as he crossed 4th Ave, ate the falafel, started running down towards SoHo, dropped his pack of cigs on the way there, turned back to get them, and then got out of breath. He shouldn't have eaten that falafel, and he couldn't run in mocassins. Then he realized he needed money to live, so glumly he turned back and bought another falafel, took it to his manager, then sat on a box of canvas bars in the back storage room and cried his 21-year-old wannabe artist tears out.